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Plot Summary:

 Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate; colours, fish, dogs and kites are just not important in the world of adults, who are much more interested in things like homework, marks and neatness. And Ishaan just cannot seem to get anything right in class. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to 'be disciplined'. Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family. One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh, who infects the students with joy and optimism. He breaks all the rules of 'how things are done' by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan. Nikumbh soon realizes that Ishaan is very unhappy, and he sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

    - Written by Anonymous

    An art teacher, Ram Shankar Nikumbh teaches at a local boarding school and thinks that every child is special and must have his chance of enjoying his/her school days, so he breaks all the rules of 'how things are done' in the school to let his motives became successful, all the children respond to him with joy, all except a small boy named Ishaan Awasthi, of eight years old who seem to be in a different world all the time. Nikumbh soon finds out that Ishaan is unhappy about something. He attempts to help him. The questions remain will he be successful or will the errant prove dangerous for him.
    - Written by gavin

    The Mumbai-based Awasthi family consists of Nandkishore, his wife, Maya, and two sons, Yohan and Ishaan. Both sons attend St. Anthony's High School where Yohan excels in his studies, but Ishaan does the opposite, having failed in his 3rd standard twice already. His parents continue to be disappointed with his performance, and as a result he hides his report cards from them, often misses school, and keeps to himself all the time. Things get worse when he gets into disagreements and fisticuffs with other children, prompting his father to have him admitted in the New Era Boarding School in distant Panchgani. Even this re-location does not improve Ishaan performance, and the Principal decides to rusticate him. Then a temporary teacher, Ram Shankar Nikumbh is recruited. Ram meets with Ishaan and believes he has a solution that will improve the child's life - little realizing that Ishaan does not have much of a future as neither his teachers, his friends, and even his parents believe that there is any hope for him.
    - Written by rAjOo (gunwanti@hotmail.com)

    An eight year old boy is thought to be lazy and a troublemaker, until the new art teacher has the patience and compassion to discover the real problem behind his struggles in school.
    - Written by L. Hamre

 

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 synopsis:

 

Ishaan Awasthi (Darsheel Safary) is an eight-year-old whose world is filled with wonders that no one else seems to appreciate; colors, fish, dogs and kites are just not important in the world of adults, who are much more interested in things like homework, marks and neatness. And Ishaan just cannot seem to get anything right in class.

When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to be disciplined. Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family.

 

One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh (Aamir Khan), who infects the students with joy and optimism. He breaks all the rules of how things are done by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan. Nikumbh soon realizes that Ishaan is very unhappy, and he sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

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Some Like It Hot

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Storyline:

When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.

Plot Summary:

When two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords.
    - Written by garykmcd

    Two struggling musicians witness the St. Valentine's Day Massacre and try to find a way out of the city before they are found and killed by the mob. The only job that will pay their way is an all girl band so the two dress up as women. In addition to hiding, each has his own problems; One falls for another band member but can't tell her his gender, and the other has a rich suitor who will not take "No," for an answer.
    - Written by John Vogel <jlvogel@comcast.net>

    Joe, the saxophone player, is Josephine in the all girls band that he joined with Jerry, the bass violin player, to be one step ahead of the mob after witnessing the 1929 St. Valentine's Day Massacre in Chicago. After a train ride that sets a record for number of people in an upper berth, they are In Miami. Joe decides to be the man of Sugar Kane's dreams and invites her out to a yacht he doesn't have. But he can use Osgood Fielding's yacht if Jerry -- as Daphne -- will keep Osgood dancing. The pace gets even giddier when the Chicago mob arrives in Miami for a convention.
    - Written by Dale O'Connor

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    In 1929, in Chicago, musicians and friends Joe and Jerry flee from the night-club where they are playing during a police raid. Without any money, they seek a job position for saxophone and bass players in another band and they are invited to play in a concert for one night only in a distant town. Joe borrows the car of a former girlfriend to travel and when they arrive in the parking garage, they witness the "Saint Valentine's Day Massacre" led by the infamous mobster Spats Columbo. The criminals discover Joe and Jerry hidden in a corner and when the killers are ready to execute them, they succeed to escape. Joe and Jerry disguise themselves, dressing like women and they head to Florida by train with an all-girl band using the names of Josephine and Daphne. They get close to singer Sugar Kane Kowalczyk and Joe falls in love with her but she believes he is a woman. Meanwhile the millionaire Osgood Fielding III harasses Daphne inviting her to visit his yacht. When Spats and his henchmen arrive in the same hotel where Joe and Jerry are lodged for a mafia convention, the two musicians feel that they are in a dangerous situation.
    - Written by Claudio Carvalho, Rio de Janeiro, Brazil

    When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.
    - Written by Kenneth Chisholm

Synopsis:

Joe and Jerry, a saxophonist and bassist, respectively, are two working-class musicians, working in a Chicago speakeasy in February...
See full synopsis » (Warning: contains spoilers!)
See also

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Watch And Download Free online Indiana Jones and the Last Crusade (1989)

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  Indiana Jones and the Last Crusade (1989)

 

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Plot

In 1912, at the twilight of the Old West, 13-year-old Indiana Jones is horseback riding with his Boy Scout troop in Moab, Utah. While scouting caves, Indy discovers a group of grave robbers who have found a golden crucifix belonging to Coronado and steals it from them, hoping to donate it to a museum. The men give chase through a passing circus train, leaving Indy with a bloody cut across his lip from a bullwhip and new phobia of snakes. Indy escapes, but the local sheriff makes him return the crucifix. Impressed with Indy's bravery, the leader of the robbers gives Indy his fedora.

In 1938, Indy recovers the crucifix off the coast of Portugal and donates it to Marcus Brody's museum. Later, Indy is introduced to Walter Donovan, who informs him that Indy's father, Henry Jones, Sr., has vanished while searching for the Holy Grail, using an incomplete inscription as his guide. Indy then receives Henry's Grail diary via mail from Venice. Realizing that he would not have sent the diary unless he was in trouble, Indy and Marcus travel to Venice, where they meet Henry's Austrian colleague, Dr. Elsa Schneider. Beneath the library where Henry was last seen, Indy and Elsa discover the tomb of a First Crusade knight, which also contains a complete version of the inscription that Henry had used, this one revealing the location of the Grail. They flee, however, when the catacombs are set aflame by the Brotherhood of the Cruciform Sword, a secret society that protects the Grail from evildoers. After a speedboat chase, Indy and Elsa capture one of the Brotherhood, Kazim, and Indy tells him that his goal is only to find his father and that he has no interest in finding the Grail. Kazim tells him that Henry is being held in Castle Brunwald on the Austrian-German border. Marcus later reveals a map drawn by Henry of the route to the Grail, which begins in Alexandretta.

At Castle Brunwald, Indy rescues Henry, but learns that Elsa and Donovan are actually working with the Nazis, and are using him to find the Grail for them. Meanwhile, Marcus is captured in Hatay, Turkey while waiting with Sallah for the Joneses. The Joneses escape from Castle Brunwald and recover the diary from Elsa at a Nazi rally in Berlin, barely escaping from an accidental face to face encounter with Adolf Hitler, who autographs Henry's diary. They board a Zeppelin to leave Germany, but the Zeppelin soon turns around and the Joneses escape in a parasite biplane. They crash while engaging in a dogfight with the Luftwaffe due to Henry's accidentally shooting the plane's tail off, but Henry redeems himself on the ground by alarming a flock of birds to take flight in front of the Luftwaffe fighter causing the pilot to crash.

The two meet up with Sallah in Hatay, where they learn of Marcus's abduction. The Nazis are already moving toward the Grail's location, using the map possessed by Marcus. In exchange for a Rolls-Royce Phantom II, the Sultan of Hatay has given the Nazis full access to his equipment for the expedition, including a large tank. Indy, Henry, and Sallah find the Nazi expedition, which is ambushed by the Brotherhood. During the battle, Henry is captured by Nazi officer Vogel while attempting to rescue Marcus from the tank; Kazim and his comrades are killed. The younger Jones pursues the tank on horseback and, with the aid of Sallah, saves Henry and Marcus. He is then caught up in a fight with Vogel, and barely escapes before the tank goes over a cliff, killing Vogel.

Indy, Henry, Marcus, and Sallah catch up with the surviving Nazis, led by Donovan and Elsa, who have found the temple where the Grail is kept but are unable to pass through the three protective booby traps. Donovan shoots Henry, mortally wounding him, in order to force Indy to risk his life in the traps to find the Grail and use its healing power to save Henry. Using the information in the diary and followed by Donovan and Elsa, Indy safely overcomes the traps (circular blades, a word puzzle, and an invisible bridge across a bottomless pit), and reaches the Grail's chamber, which is guarded by a knight. He has been kept alive for seven hundred years by the power of the Grail, which is hidden among dozens of fake Grails. Elsa betrays Donovan by deliberately giving him a golden chalice, which causes him to decay into dust upon drinking from it. Indy then uses his expert knowledge to find the true Grail, a plain cup of a carpenter, which the knight warns cannot be taken beyond the great seal at the temple's entrance. Indy fills the Grail with water and takes it to Henry, which they give to him to drink along with pouring the rest on his gunshot wound, instantly healing him. Elsa then takes the Grail past the great seal, ignoring and forgetting the knight's warning. The temple begins to rapidly collapse and, even as Indy attempts to save her, Elsa falls to her death into an abyss because she is unable to let go of her obsession with the Grail. Indy nearly suffers the same fate, but is saved by Henry, who convinces him to let it go. While the knight watches them, the Joneses, Marcus, and Sallah then narrowly escape the collapsing temple. Afterwards, Henry reveals the origins of Indy's nickname to the group as the name of the family's former Malamute before they all ride off into the sunset.

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 Filming

 
The tank chase was filmed in Almería, Spain

Principal photography began on May 16, 1988 in the Tabernas Desert in Spain's Almería province. Spielberg originally had planned the chase to be a short sequence shot over two days, but he drew up storyboards to make the scene an action-packed centerpiece.[4] Thinking he would not surpass the truck chase from Raiders of the Lost Ark (because the truck was much faster than the tank), he felt this sequence should be more story-based and needed to show Indiana and Henry helping each other. He later said he had more fun storyboarding the sequence than filming it.[11] The second unit had begun filming two weeks before.[12] After approximately ten days, the production moved to Bellas Artes to film the scenes set in the Sultan of Hatay's palace. Cabo de Gata-Níjar Natural Park was used for the road, tunnel and beach sequence in which birds strike the plane. The shoot's Spanish portion wrapped on June 2, 1988 in Guadix, Granada with filming of Brody's capture at İskenderun train station.[12] The filmmakers built a mosque near the station for atmosphere, rather than adding it as a visual effect.[11]

Filming for the castle interiors took place from June 5 to 10, 1988 at Elstree Studios, England. On June 16 Lawrence Hall, London was used for the airport interiors. Filming returned to Elstree the next day to capture the motorcycle escape, continuing at the studio for interior scenes until July 18. One day was spent at North Weald Airfield on June 29 to film Indiana leaving for Venice.[12] Ford and Connery acted much of the Zeppelin table conversation without trousers on because of the overheated set.[13] Spielberg, Marshall and Kennedy interrupted the shoot to make a plea to the Parliament of the United Kingdom to support the economically "depressed" British studios. July 20–22 was spent filming the temple interiors. The temple set, which took six weeks to build, was supported on 80 feet of hydraulics and ten gimbals for use during the earthquake scene. Resetting between takes took twenty minutes while the hydraulics were put to their starting positions and the cracks filled with plaster. The shot of the Grail falling to the temple floor—causing the first crack to appear—was attempted on the full-size set, but proved too difficult. Instead, crews built a separate floor section that incorporated a pre-scored crack sealed with plaster. It took several takes to throw the Grail from six feet onto the right part of the crack.[11] July 25–26 was spent on night shoots at Stowe School, Stowe, Buckinghamshire for the Nazi rally.[12]

Filming resumed two days later at Elstree, where Spielberg swiftly filmed the library, Portuguese freighter, and catacombs sequences.[12] The steamship fight in the prologue's 1938 portion was filmed in three days on a sixty-by-forty-feet deck built on gimbals at Elstree. A dozen dump tanks—each holding three hundred imperial gallons (360 U.S. gallons; 3000 lb.) of water—were used in the scene.[11] Henry's house was filmed at Mill Hill, London. Indiana and Kazim's fight in Venice in front of a ship's propeller was filmed in a water tank at Elstree. Spielberg used a long focus lens to make it appear the actors were closer to the propeller than they really were.[12] Two days later, on August 4, another portion of the boat chase using Hacker Craft sport boats, was filmed at Tilbury Docks in Essex.[12] The shot of the boats passing between two ships was achieved by first cabling the ships off so they would be safe. The ships were moved together while the boats passed between, close enough that one of the boats scraped the sides of the ships. An empty speedboat containing dummies was launched from a floating platform between the ships amid fire and smoke that helped obscure the platform. The stunt was performed twice because the boat landed too short of the camera in the first attempt.[11] The following day, filming in England wrapped at the Royal Masonic School in Rickmansworth, which doubled for Indiana's college (as it had in Raiders of the Lost Ark).[12]
Al Khazneh was used for the entrance to the temple housing the Holy Grail

Shooting in Venice took place on August 8.[12] For scenes such as Indiana and Brody greeting Elsa, shots of the boat chase, and Kazim telling Indiana where his father is,[11] Robert Watts gained control of the Grand Canal from 7 am to 1 pm, sealing off tourists for as long as possible. Cinematographer Douglas Slocombe positioned the camera to ensure no satellite dishes would be visible.[12] San Barnaba di Venezia served as the library's exterior.[4] The next day, filming moved to the ancient city of Petra, Jordan, where Al Khazneh (The Treasury) stood in for the temple housing the Grail. The cast and crew became guests of King Hussein and Queen Noor. The Treasury had previously appeared in Sinbad and the Eye of the Tiger. The main cast completed their scenes that week, after 63 days of filming.[12]

The second unit filmed part of the prologue's 1912 segment from August 29 to September 3. The main unit began two days later with the circus train sequence at Alamosa, Colorado. They filmed at Pagosa Springs on September 7, and then at Cortez on September 10. From September 14 to 16, filming of Indiana falling into the train carriages took place in Los Angeles. The production then moved to Utah's Arches National Park to shoot more of the opening. A house near the park was used for the Jones family home.[12] The production had intended to film at Mesa Verde National Park, but Native American representatives had religious objections to its use.[11] When Spielberg and editor Michael Kahn viewed a rough cut of the film in late 1988, they felt it suffered from a lack of action. The motorcycle chase was shot during post-production at Mount Tamalpais and Fairfax near Skywalker Ranch. The closing shot of Indiana, Henry, Sallah and Brody riding into the sunset was filmed in Texas in early 1989.[12][14]
Design

Mechanical effects supervisor George Gibbs said the film was the most difficult one of his career.[11] He visited a museum to negotiate renting a small French World War I tank, but decided he wanted to make one.[12] The tank was based on the Tank Mark VIII, which was 36 feet (11 m) long and weighed 28 short tons (25 t). Gibbs built the tank over the framework of a 28-short-ton (25 t) excavator and added 7-short-ton (6.4 t) tracks that were driven by two automatic hydraulic pumps, each connected to a Range Rover V8 engine. Gibbs built the tank from steel rather than aluminum or fiberglass because it would allow the realistically suspensionless vehicle to endure the rocky surfaces. Unlike its historical counterpart, which had only the two side guns, the tank had a turret gun added as well. It took four months to build and was transported to Almería on a Short Belfast plane and then a low loader truck.[11]
Composite photograph of the tank on location

The tank broke down twice. The distributor's rotor arm broke and a replacement had to be sourced from Madrid. Then two of the device's valves used to cool the oil exploded, due to solder melting and mixing with the oil. It was very hot in the tank, despite the installation of ten fans, and the lack of suspension meant the driver was unable to stop shaking during filming breaks.[11] The tank only moved at 10 to 12 miles per hour (16 to 19 km/h), which Vic Armstrong said made it difficult to film Indiana riding a horse against the tank while making it appear faster.[12] A smaller section of the tank's top made from aluminum and which used rubber tracks was used for close-ups. It was built from a searchlight trailer, weighed eight tons, and was towed by a four-wheel drive truck. It had safety nets on each end to prevent injury to those falling off.[11] A quarter-scale model by Gibbs was driven over a 50-foot (15 m) cliff on location; Industrial Light & Magic created further shots of the tank's destruction with models and miniatures.[15]

Michael Lantieri, mechanical effects supervisor for the 1912 scenes, noted the difficulty in shooting the train sequence. "You can't just stop a train," he said, "If it misses its mark, it takes blocks and blocks to stop it and back up." Lantieri hid handles for the actors and stuntmen to grab onto when leaping from carriage to carriage. The carriage interiors shot at Universal Studios Hollywood were built on tubes that inflated and deflated to create a rocking motion.[11] For the close-up of the rhinoceros that strikes at (and misses) Indiana, a foam and fiberglass animatronic was made in London. When Spielberg decided he wanted it to move, the prop was sent to John Carl Buechler in Los Angeles, who resculpted it over three days to blink, snarl, snort and wiggle its ears. The giraffes were also created in London. Because steam locomotives are very loud, Lantieri's crew would respond to first assistant director David Tomblin's radioed directions by making the giraffes nod or shake their heads to his questions, which amused the crew.[15] For the villains' cars, Lantieri selected a 1914 Ford Model T, a 1919 Ford Model T truck and a 1916 Saxon Model 14, fitting each with a Ford Pinto V6 engine. Sacks of dust were hung under the cars to create a dustier environment.[11]

Spielberg used doves for the seagulls that Henry scares into striking the German plane because the real gulls used in the first take did not fly.[4] In December 1988, Lucasfilm ordered 1000 disease-free gray rats for the catacombs scenes from the company that supplied the snakes and bugs for the previous films. Within five months, 5000 rats had been bred for the sequence;[4] 1000 mechanical rats stood in for those that were set on fire. Several thousand snakes of five breeds—including a boa constrictor—were used for the train scene, in addition to rubber ones onto which Phoenix could fall. The snakes would slither from their crates, requiring the crew to dig through sawdust after filming to find and return them. Two lions were used, which became nervous because of the rocking motion and flickering lights.[11]

Costume designer Anthony Powell found it a challenge to create Connery's costume because the script required the character to wear the same clothes throughout. Powell thought about his own grandfather and incorporated tweed suits and fishing hats. Powell felt it necessary for Henry to wear glasses, but did not want to hide Connery's eyes, so chose rimless ones. He could not find any suitable, so he had them specially made. The Nazi costumes were genuine and were found in Eastern Europe by Powell's co-designer Joanna Johnston, to whom he gave research pictures and drawings for reference.[12] The motorcycles used in the chase from the castle were a mixed bag: the scout model with sidecar in which Indy and Henry escape was an original Dnepr, complete with machine gun pintle on the sidecar, while the pursuing vehicles were more modern machines dressed up with equipment and logos to make them resemble German army models. Gibbs used Swiss Pilatus P-2 army training planes standing in for Messerschmitt Bf-109s. He built a device based on an internal combustion engine to simulate gunfire, which was safer and less expensive than firing blanks.[15] Baking soda was applied to Connery to create Henry's bullet wound. Vinegar was applied to create the foaming effect as the water from the Grail washes it away.[15] At least one reproduction Kubelwagen was used during filming despite the film being set two years prior to manufacture of said vehicles.
Effects

Industrial Light & Magic (ILM) built an eight-foot foam model of the Zeppelin to complement shots of Ford and Connery climbing into the biplane. A biplane model with a two-foot wingspan was used for the shot of the biplane detaching. Stop motion animation was used for the shot of the German fighter's wings breaking off as it crashes through the tunnel. The tunnel was a 210 feet model that occupied 14 of ILM's parking spaces for two months. It was built in eight-foot sections, with hinges allowing each section to be opened to film through. Ford and Connery were filmed against bluescreen; the sequence required their car to have a dirty windscreen, but to make the integration easier this was removed and later composited into the shot. Dust and shadows were animated onto shots of the plane miniature to make it appear as if it disturbed rocks and dirt before it exploded. Several hundred tim-birds were used in the background shots of the seagulls striking the other plane; for the closer shots, ILM dropped feather-coated crosses onto the camera. These only looked convincing because the scene's quick cuts merely required shapes that suggested gulls.[15]
Indiana discovers a bridge hidden by camouflage. Ford was filmed in front of a bluescreen for the scene, which was completed by a model of the bridge filmed against a matte painting

Spielberg devised the three trials that guard the Grail.[6] For the first, the blades under which Indiana ducks like a penitent man were a mix of practical and miniature blades created by Gibbs and ILM. For the second trial, in which Indiana spells "Iehova" on stable stepping stones, it was intended to have a tarantula crawl up Indiana after he mistakenly steps on "J". This was filmed and deemed unsatisfactory, so ILM filmed a stuntman hanging through a hole that appears in the floor, 30 feet above a cavern. As this was dark, it did not matter that the matte painting and models were rushed late in production. The third trial, the leap of faith that Indiana makes over an apparently impassable ravine after discovering a bridge hidden by forced perspective, was created with a model bridge and painted backgrounds. This was cheaper than building a full-size set. A puppet of Ford was used to create a shadow on the 9-foot-tall (2.7 m) by 13-foot-wide (4.0 m) model because Ford had filmed the scene against bluescreen, which did not incorporate the shaft of light from the entrance.[15]

Spielberg wanted Donovan's death shown in one shot, so it would not look like an actor having makeup applied between takes. Inflatable pads were applied to Julian Glover's forehead and cheeks that made his eyes seem to recede during the character's initial decomposition, as well as a mechanical wig that grew his hair. The shot of Donovan's death was created over three months by morphing together three puppets of Donovan in separate stages of decay, a technique ILM mastered on Willow (1988).[13] A fourth puppet was used for the decaying clothes, because the puppet's torso mechanics had been exposed. Complications arose because Alison Doody's double had not been filmed for the scene's latter two elements, so the background and hair from the first shot had to be used throughout, with the other faces mapped over it. Donovan's skeleton was hung on wires like a marionette; it required several takes to film it crashing against the wall because not all the pieces released upon impact.[15]

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Ben Burtt designed the sound effects. He recorded chickens for the sounds of the rats,[12] and digitally manipulated the noise made by a Styrofoam cup for the castle fire. He rode in a biplane to record the sounds for the dogfight sequence, and visited the demolition of a wind turbine for the plane crashes.[15] Burtt wanted an echoing gunshot for Donovan wounding Henry, so he fired a .357 Magnum in Skywalker Ranch's underground car park, just as Lucas drove in.[12] A rubber balloon was used for the earthquake tremors at the temple.[16] The film was released in selected theaters in the 70 mm Full-Field Sound format, which allowed sounds to not only move from side to side, but also from the theater's front to its rear.[15]

Matte paintings of the Austrian castle and German airport were based on real buildings; the Austrian castle was a small West German castle that was made to look larger. Rain was created by filming granulated Borax soap against black at high speed. It was only lightly double exposed into the shots so it would not resemble snow. The lightning was animated. The airport used was at San Francisco's Treasure Island, which already had appropriate art deco architecture. ILM added a control tower, Nazi banners, vintage automobiles and a sign stating "Berlin Flughafen". The establishing shot of the Hatayan city at dusk was created by filming silhouetted cutouts that were backlit and obscured by smoke. Matte paintings were used for the sky and to give the appearance of fill light in the shadows and rim light on the edges of the buildings

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Storyline:

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Plot Summary:

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named Rotwang, an inventor, works toward quashing a supposed uprising, with Maria as the center of their plan. However, Joh is unaware that Rotwang has his own agenda. But if any of these plans includes the shut down of the machines, total anarchy could break loose both above ground and below.
- Written by Huggo

It is the future, and humans are divided into two groups: the thinkers, who make plans (but don't know how anything works), and the workers, who achieve goals (but don't have the vision). Completely separate, neither group is complete, but together they make a whole. One man from the "thinkers" dares visit the underground where the workers toil, and is astonished by what he sees...
- Written by Murray Chapman

The future. Metropolis is a wonderful city, high above the ground its towers stand. The people prosper, the economy is flourishing, the suspended streets are busy. But Metropolis also has a great secret, so hidden that not even Freder Fredersen, son of founder Joh Fredersen knows about it. He is spending his free time in the Eternal Gardens, when suddenly a woman shows up, with what looks like a class of children. They're from the City of Workers, in the depth, Freder learns. "These are your brothers", she tells the children, before she is forced to leave. Freder is so intrigued he follows them into the depth and doesn't like what he sees. The workers are exploited, they must do labor like robots. Freder tries to convince his father to change, while the woman tries to keep workers' morale high by predicting a man will stand up that will mediate. Someone that will use both hands and head, someone that will be the heart.
- Written by Arnoud Tiele

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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synopsis:

It is an alternate future in the year 2026 from a 1926 point of view. The city of Berlin, Germany, now called Metropolis, has become a sprawling modern megalopolis, much like the present 21st century of Dubai, with an art deco flavor to it. The city is sharply divided between the privileged wealthy and working classes, who spend their days endlessly toiling at boilers and machinery to keep the city running. They live underground with artificial lighting in nondescript high rise apartments reminiscent of the Soviet Union during the communist era.

There is a track and field decathlon competition at a stadium similar to ancient Greece with Freder, the son of the master of Metropolis, John Fredersen, participating in it, detailing the nice life the privileged live in. Later on, Freder is in a pleasure garden with a beautiful woman, peacock, and fountain. While he is enjoying a moment with the woman, an attractive young peasant girl named Maria comes out of the door with a group of children showing them how the other half lives and insisting they are their brothers and sisters. Freder is intrigued by this.

 

Freder goes into a place full of machinery and finds a bunch of workers mechanically toiling away. He can't believe what he is seeing and that men are subjected to such inhumane conditions. One of the machines reaches a temperature above boiling point and kills a worker. Freder witnesses this and imagines it to be the ancient sacrificial temple Moloch, probably due to a Catholic upbringing. After witnessing this, Freder very conveniently walks outside to a taxi driver in a 1924 Opel waiting for him.

After Freder enters the taxi, the audience is given a visual treat of the city of Metropolis, with Freder and the taxi passing through two lights for access on a bridge, then a huge megalopolis of bridges, cars, skyscrapers, biplanes, and a very large skyscraper as a symbol of the Tower of Babel.

John Fredersen, the Master of Metropolis, is a cold, businesslike man with a staff of accountants and working in a huge office with automated curtains, a desk full of push buttons, a picture telephone, and a screen of stocks, much like Wall Streets Dow Jones.

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Watch and Download Full HD Movie Online Free The Deer Hunter (1978)

  The Deer Hunter (1978)

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An in-depth examination of the ways in which the U.S. Vietnam war impacts and disrupts the lives of people in a small industrial town in Pennsylvania.



Ratings: 8.2/10
Genres: Drama | War
Release Date: 23 February 1979 (USA)
Budget: $15,000,000 (estimated)
Gross: SEK 10,994,967 (Sweden)
Runtime: 182 min
Director: Michael Cimino
Writers: Michael Cimino (story), Deric Washburn (story)
Stars: Robert De Niro, Christopher Walken, John Cazale





Storyline:
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela, and their wedding party also serves as the men's farewell party. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again. Written by Leon Wolters


Plot Summary:
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela, and their wedding party also serves as the men's farewell party. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again.
- Written by Leon Wolters

Michael, Nick, and Steven are three buddies from the steel mill town of Clairton, Penn.They are like schoolmates, hanging out in a local bar and enjoying weekends of deer-hunting. Michael and Nick are also both in love with Linda, who seems to juggle both of the men. But their placid life is soon to be changed after they are enlisted in the airborne infantry of Vietnam. So they all celebrate a goodbye at Steven's wedding and they leave to Vietnam, where they are captured by the enemy and forced to play a game of Russian Roulette. They escape and return home, but their lives are forever changed. Nick stays in Vietnam, Michael returns to Linda, and Steven is handicapped after losing a leg in the war.
- Written by Jasper Yangchareon

An in-depth examination of the ways in which the U.S. Vietnam war impacts and disrupts the lives of people in a small industrial town in Pennsylvania.
- Written by Murray Chapman

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Synopsis:
In the Western Pennsylvania foundry town of Clairton, during the late 1960s, Russian-American steel workers Michael (Robert De Niro), Steven (John Savage), Nick (Christopher Walken), Stanley (John Cazale), John (George Dzundza), and Axel (Chuck Aspegren) are preparing for two rites of passage: marriage and military service.

They are like schoolmates, hanging out in a local bar and enjoying weekends of deer hunting. Michael and Nick are also both in love with Linda (Meryl Streep), who seems to juggle both of the men. But their placid life is soon to be changed after they are enlisted in the airborne infantry of Vietnam.

Before they go, Steven marries the pregnant Angela and their wedding party is also the men's farewell party.

Nick's girlfriend, Linda, makes breakfast for her father while wearing a bridesmaid's dress. Her father, an abusive and hallucinating alcoholic, is upstairs and alone, having an alcoholic attack and has trashed his room. Linda brings him his breakfast and he hits her, leaving a bruise on her face. She leaves for the wedding.

At the wedding reception, the friends quickly become drunk, dancing and acting obnoxiously. Stan is dancing with his girlfriend when the band's singer cuts in. While he dances with her, Stan notices that he keeps putting his hand on her buttocks. John simply laughs and Stan grows angrier until he marches over and hits his girlfriend. Mike dances with Linda and offers to buy her a beer. The two go to the bar and have a drink together while Nick watches them somewhat suspiciously. The bride and groom leave the party in a decorated car and Mike and Nick chase after them, Mike stripping himself naked as he runs, winding up with Nick in a basketball court.

The morning after, with the car still decorated from the wedding, the men drive into the mountains to go deer hunting. Mike takes hunting very seriously and gives Stan a cold shoulder when Stan can't find his hunting boots. He asks Mike for his extra pair and Mike refuses, having grown tired of Stan's casual attitude and forgetfulness on previous trips. Though they don't agree with Mike's hard attitude, Mike stands by his principles. The next morning, Mike and Nick go out into the woods (Rachmaninoff's dramatic piece "Praise the Name of the Lord" plays on the soundtrack.) Michael stalks and shoots a deer, bringing it down in a single shot.

The troupe returns to Clairton and they go straight to John's bar. John plays a somber piece on the piano and the men sit mostly silent, contemplating their last night together as a group.

The scene cuts to a mountainous region of Vietnam where a small village is being firebombed by the US Army. Michael is there, lying unconscious among the dead. A North Vietnamese Army (NVA) soldier walks into the village. He finds a small group of survivors, men, women and children, hiding in a hidden bunker. He casually arms a grenade, tosses it in and walks off as it explodes. Moments later he sees a woman, badly injured, carrying a baby. The soldier mercilessly shoots her. Mike springs up and kills the soldier with a flamethrower. As Mike walks around shooting any surviving NVA soldiers, another unit of helicopters arrive and among them are Nick and Steve. Mike doesn't seem to acknowledge them at first when incoming mortar shells from the NVA begin to hit the village. In the distance, more NVA are approaching.

The three are captured and held prisoner in a riverside prisoner-of-war camp along with other US Army and ARVN prisoners. For entertainment, the guards force their prisoners to play Russian roulette and gamble on the outcome. All three are forced to play; Steven aims the gun above his head, grazing himself with the bullet and is punished by incarceration to an underwater cage. Believing that the experience has broken Steven, Mike considers abandoning him. Nick angrily rejects Mike's idea.


Mike, convincing the guards to let him go head-to-head with Nick in the final round, devises a plan to escape that requires 3 bullets in the pistol and shares his plan with Nick. Mike tells him to go after the closest guy when Mike makes his move. Nick, sensing the increased likelihood of imminent demise finds the plan crazy and protests but, seeing it as their best chance of survival, however slim, Mike pleads with Nick to trust him. In a final game, Mike successfully convinces their captors use 3 bullets in the cylinder while Nick stalls after being chosen to go first. Mike then volunteers to go first and fires and clicks an empty chamber. With only 2 empty of 5 remaining chambers, an almost-broken Nick has his turn and it's an empty chamber. Mike, enraged by continuous taunting, raises his gun to his head and at the last minute pushes the rifles pointed at him aside while turning the gun on his captors. With 3 bullets in the 4 chambers left, Mike is able to shoot down 3 captors in rapid succession before grabbing a machine gun and killing the rest. Mike has to pull a raving mad Nick from his continued pummeling of his captor and both escape, taking Steven with them.

The three escape the camp by floating downriver on a tree. An American helicopter rescues them, but only Nick is able to board it. The weakened Steven falls into the river. Mike jumps in after him, and helps him to he riverbank. Steven has broken his legs in the fall. Mike carries him to friendly lines.

The psychologically devastated Nick recuperates in a military hospital in Saigon, where the psychologist concludes he is not fit to remain there due to his all but incomprehensible babbling. After he's released, he tries to call Linda in Clairton but hangs up before the call is connected. He aimlessly searches for Mike in the red light district.

Nick encounters Julién Grinda (Pierre Segui), a champagne-drinking Frenchman outside a gambling den where men play Russian roulette for money. Grinda entices Nick to participate, then leads him in to the den. Unbeknown to Nick, Mike is in the crowd, as a gambler. Though Mike sees Nick, Nick leaves in a hurry and in a daze and they do not reunite.

Back in the U.S., Mike eventually becomes romantically involved with Linda. Nick and Steven are still missing.

Mike finds out that Steve is alive and has returned, and visits Angela, Steve's wife, to find out where he is. She is consumed by madness and not talking to anyone, so writes down a number for him. It is the number for Steven's hospital, which is a veteran's rehabilitation clinic.

Michael reunites with Steven, who has lost both his legs and the use of an arm and is mentally unstable. Steven reveals that someone in Saigon has been mailing large amounts of cash to him, which Mike suspects is from Nick, who may still be alive. Mike takes Steven home over Steven's protests.

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Mike travels to Saigon just before its fall in 1975. With the help of the Grinda, he finds Nick in a crowded roulette club, but Nick appears to have no recollection of his friends or his home in Pennsylvania, appearing instead to be in a constant state of shock. In a game of Russian roulette in the gambler's bar, Mike and Nick are pitted against each other, in an attempt on Mike' part to have Nick remember his life before the war and his family and friends. Mike's attempts to persuade him to come home are unsuccessful, Nick defiantly raises the gun and shoots himself in the head.

The film ends with Nick's funeral back in America and his friends' response to it. Everyone's there, and even Angela & Steven seem to be on the mend. At the wake they all sing "God bless America", and toast Nick.

"CAVATINA" by Stanley Myers is played (on guitar by John Williams) as the credits roll.

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Monkey Kingdom (2015)

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Ratings: 7.3/10 from 471 users 
Reviews: 9 user | 20 critic | 21 from 

Directors: Mark Linfield, Alastair Fothergill

Stars: Tina Fey

Storyline

A nature documentary that follows a newborn monkey and its mother as they struggle to survive within the competitive social hierarchy of the Temple Troop, a dynamic group of monkeys who live in ancient ruins found deep in the storied jungles of South Asia.

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Plot Summary

Showing one plot summary
• A nature documentary that follows a newborn monkey and its mother as they struggle to survive within the competitive social hierarchy of the Temple Troop, a dynamic group of monkeys who live in ancient ruins found deep in the storied jungles of South Asia.
  - Written by Disneynature

Synopsis

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